Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing.
“You can’t fly if you have never left the ground,” says Houston’s 4th Wall Theatre cofounder, Kim Tobin-Lehl, when thinking about taking artistic risks.
From Shakespeare to SciFi, actors often return to a beloved character to find new life in the role. Yet, very few of these revisits hold such a unique offstage story like acclaimed international film, television and stage actor Sasson Gabay.
Coming of Broadway age in the shadow of the Hamilton juggernaut, Dear Evan Hansen, the seemingly unassuming musical about an unpopular high school kid with social anxiety, managed to turn its misfit story into a multiple Tony® Award winner.
An orchestral score for a ballet wouldn’t ordinarily pop up in an art museum’s storage room. But the one in San Antonio’s McNay Art Museum, a score of Erik Satie’s surrealist Parade, was no ordinary example.
On August 3, 2019, El Paso entered the national zeitgeist when an active shooter killed 22 people at a Walmart. The shooter’s goal: to kill as many people of Mexican descent as possible.
In the Heights, with music and lyrics by Lin-Manuel Miranda and book by Quiara Alegría Hudes, won four 2008 Tony Awards and has become the most recognizable Latinx musical.
Even in a canon filled with political advising witches, fairy marriage wars and revenge seeking ghosts, Shakespeare’s The Winter’s Tale still stands–statuesque–as an odd chimera of a play.