When Blake Hackler handed over his newest play, What We Were, to Second Thought Theatre artistic director Alex Organ, he wasn’t expecting an offer to produce it.
Texas is home to a growing cohort of Latinx playwrights working in all parts of the state who have chosen to remain here despite the unique challenges that they face as artists of color in the Lone Star State.
Impresario, the promoter, financier, artistic director and all round driving visionary of a performing arts company or enterprise, is not a title bestowed onto individuals much anymore.
In one more step towards the antiseptic future envisioned largely by sci-fi movies- a future without dust, disease, age or decay-the very language we invent for our technological revolution has become disembodied and etherealized.
For the last Hobby Center production of its 50th anniversary season Theatre Under The Stars threw a hell of a centennial birthday party for Broadway icon, choreographer and director Jerome Robbins with their revival of Jerome Robbins’ Broadway.
Houston gets a welcome blast of Robbins’ legendary work when Theatre Under The Stars (TUTS) presents Jerome Robbins’ Broadway, a sweeping anthology of the American choreographer’s work all on one night.
Five years ago, Arts and Culture Texas profiled a group of millennial theater artists striving to find creative roles for themselves offstage and to bring an innovative and fresh perspective onto Texas stages. Since then, two of those “Next Gen Leaders,” Brandon Weinbrenner, artistic associate at the Alley Theatre, and Mitchell Greco, artistic associate at Stages Repertory Theatre, have not only steadily risen to directorial prominence in Houston, they’ve also managed to carve out a personal life and marry each other.