Even in a canon filled with political advising witches, fairy marriage wars and revenge seeking ghosts, Shakespeare’s The Winter’s Tale still stands–statuesque–as an odd chimera of a play.
In one of his most recent works, The Hard Problem, getting its regional premiere at Main Street Theater (through Oct. 6), Stoppard goes in heavy on the head, rather literally as the play follows scientists looking into questions of how the brain creates the mind, how we are conscious of our own consciousness.
What do Carrie Fisher, the Wicked Witch of the West, and a rabbit have in common? It’s not a trick question, but a sampling of the roles Shannon McGrann has played over her years onstage and in front of the camera.
The problem with bringing a groundbreaking work of art into the world is that sometimes it alters the landscape so much that when we revisit it we might forget that such a wonder didn’t always exist.
Greg Cote lived on all three US coasts before he reached the sixth grade. When his Dad retired from the Navy in 2000 the family found themselves in Lake Jackson, Texas trying to decide where to go next.
In Dark Circles Contemporary Dance Artistic Director Joshua L. Peugh’s newest work, Pete: A Dance Musical a playground becomes Neverland and a favorite childhood fairy tale extends beyond a youthful adventure and incorproates commentary on life’s inherent contradictions and the queer, minority experience.
Since its founding in 1998, the National New Play Network has produced 85 rolling world premieres. Dallas’s Kitchen Dog Theater, formed in 1990, is one of NNPN’s founding core theaters, and hosts the longest-running new play festival in Texas.
When Blake Hackler handed over his newest play, What We Were, to Second Thought Theatre artistic director Alex Organ, he wasn’t expecting an offer to produce it.
Texas is home to a growing cohort of Latinx playwrights working in all parts of the state who have chosen to remain here despite the unique challenges that they face as artists of color in the Lone Star State.