With a quick glance at the synopsis, playwright Rebecca Gilman’s Luna Gale, now at Stages Repertory Theatre through May 28, would seem to possess all the serious markings of an issues play.
Long before Facebook and Twitter, neighbors exchanged information about the real lives of people making up their communities by gossiping and conversing in front yards and stoops.
Brandon Weinbrenner, Resident Assistant Director at The Alley Theatre since 2013, has also directed at 4th Wall Theatre Company and The Landing Theatre Company. In May, he directs Karen Zacharias’s Native Gardens, commissioned by the Cincinnati Playhouse, at Main Street Theater.
What do we mean when we talk about Latina/o theater in Texas? This was the question I kept pondering at the beginning of yet another one of the wandering/mapping jaunts I occasionally take when I find myself yearning to exploring more Texas theater.
The premise of Young Jean Lee’s Straight White Men, a play currently having its area premiere at Second Thought Theatre, can be neatly summed up like this: in the 21st century, its complicated to be a straight white man.
It’s the first day of rehearsals for Electra (April 4-May 2), and Dallas Theater Center artistic director Kevin Moriarty is having trouble trading in Shakespeare for Sophocles.
Fusebox, Austin’s contemporary, cross-disciplinary visual and performing arts festival, and all round benevolent force in the struggle to keep Austin weird, consolidated its offerings in 2016, going from a 10 or 12 day schedule to a five-day festival lineup.
What is theater that doesn’t reflect contemporary realities? What kind of life can theatrical storytelling have if it doesn’t exist within the world it’s born into?