Experimental plays and intimate dramas set in homes typically belong in black box theaters. The nuance and detail of these productions cannot be captured in larger theaters.
When Mara Richards Bim landed back in Texas, she wanted to offer young people something she felt her adolescence had lacked: Edgy, raw theater making. And thus, Cry Havoc Theater Company was born.
Productions of the A Christmas Carol have decorated the stages of local theaters for decades. Dallas is no exception, with the Dallas Theater Center now presenting their 38th production of the tale through Dec. 28 at the Wyly Theatre.
Joel F. Grothe holds court as Thomas Cromwell in Main Street Theater's production of Hilary Mantel's Wolf Hall and Bring Up the Bodies, through Dec. 18.
It's the holiday season, which means we get all crazy about making memories with our family and friends. Perhaps it's this insatiable urge that drives us to the same shows over and over.
The title, Funnyman, is a little misleading. Sure, this tightly-structured work by Philadelphia playwright Bruce Graham has its chortles, but at heart it’s a story about the seriousness of comedy, and those who create it.
Lee Nguyen from the City of Austin gave the latest work at ZACH Theatre a thumbs-up review. But it wasn’t exactly for the company’s latest drama, comedy or musical.
William “Bill” Earl Ray says theater is in his genes. His grandmother was a gospel singer, his mom acted in high school, and he had an uncle they called “Mr. Do Everything” because he tap danced, acted and sang.