Though only two months old, Houston’s latest performing arts venue, the Rec Room, has established itself as a quirky alternative to traditional theater companies.
A woman takes a walk through the woods. She travels with a destination weighing heavy in her mind, an appointment to keep, yet along the way she meets a stranger by happenstance and everything changes.
It all began in the trunk of a car. George Hawkins, lean and possessed of a mega-watt smile, spent the 1960s and the early 1970s captivated by the African-American Theater Movement.
In Dallas, a generation of young playwrights is beginning to flex dramatic muscle in pursuit of social change, pushing their work past the impulse to create art for art’s sake.
This summer, Houston drama-lovers need to brace themselves for bedlam— stark naked bedlam that is, as a local favorite theater brings to town one of Off Broadway’s hottest companies for a new vision of George Bernard Shaw’s classic Saint Joan, June 2-18 at Studio 101 in Spring Street Studios.
A cop and suspect stare at each other from across a table in a stark and claustrophobic interrogation room. These first moments of Jennifer Haley’s The Nether at the Alley Theatre (Through May 29) reveal a setup we’ve seen before on a thousand police and procedural shows.
Arts + Culture editor Nancy Wozny and Houston theater writer Tarra Gaines take a break from the usual review format to discuss Lucas Hnath's The Christians, running at the Alley Theatre through May 15.