When Creep opens on Oct. 5 at WaterTower Theatre, a large cast of Londoners will indeed be talking, and singing, and dancing, performing Fowler’s stylistic musical interpretation of the larger than life myth surrounding Jack the Ripper.
Philip Hays, like Ahab, has lured a whole crew of creative characters into an immense, though decidedly less deadly, undertaking to bring a one-man version of the tale to theatrical life.
