Adams, who splits her time between New York and Parma, Italy, has spent her career instilling passion in viewers with her colorful, abstract paintings, prints and gouaches, linking contemporary life and universal patterns.
Sometimes LOVE is all-consuming. Nowadays, Robert Indiana’s iconic LOVE artworks—with their clunky capital L and tilted O stacked over the V and E—are everywhere.
Even if you’ve never been to Spain, you’re likely to be familiar with some of the country’s most stunning signature artistic marvels, such as the elaborate retablos, or altarpieces, found in churches and cathedrals throughout the region.
The new traveling exhibition alighting at the Art Museum of South Texas, Across the Atlantic: American Impressionism Through the French Lens ( through Jan. 3, 2021) offers a new and new world perspective on Impressionism.
Nineteenth-century cabinet cards and a forgotten Texas artist are the two new exhibitions at the re-opened Amon Carter Museum of American Art in Fort Worth.
Jennifer Steinkamp’s new digital work Eon, recently unveiled as part of the University of Texas Landmarks Collection and commissioned for Welch Hall, the university’s recently renovated science building, invokes these complex ideas not in the form of ephemeral petals, but in massive LED screens.
Since 2014, Houston has been host to a citywide takeover. For one week in April, the city itself is activated as a site for art, creativity, social consciousness, and dialogue as the CounterCurrent festival and its artists spread throughout the inner loop to hold a series of provocative performances.
Emotion, individualism, unfettered expression, fruitful rebellion, and spontaneous movement are not often the makings of everyday life. But sometimes the storm and stress of life bring such things into being.