The new traveling exhibition alighting at the Art Museum of South Texas, Across the Atlantic: American Impressionism Through the French Lens ( through Jan. 3, 2021) offers a new and new world perspective on Impressionism.
Nineteenth-century cabinet cards and a forgotten Texas artist are the two new exhibitions at the re-opened Amon Carter Museum of American Art in Fort Worth.
Jennifer Steinkamp’s new digital work Eon, recently unveiled as part of the University of Texas Landmarks Collection and commissioned for Welch Hall, the university’s recently renovated science building, invokes these complex ideas not in the form of ephemeral petals, but in massive LED screens.
Since 2014, Houston has been host to a citywide takeover. For one week in April, the city itself is activated as a site for art, creativity, social consciousness, and dialogue as the CounterCurrent festival and its artists spread throughout the inner loop to hold a series of provocative performances.
Emotion, individualism, unfettered expression, fruitful rebellion, and spontaneous movement are not often the makings of everyday life. But sometimes the storm and stress of life bring such things into being.
The Dallas Symphony’s 2020 Soluna festival will encompass all that and more. The annual music and arts showcase, opening April 3, will feature Dallas artists plus globe-trotting guests; traditional concerts and multimedia immersions; a live incarnation of an acclaimed rock ’n’ roll album as well as a documentary film whose subjects perform in person in front of it.
Artists grappling with the political has been the norm for thousands of years, but when art and social-political questioning merge at an interdisciplinary performance festival like Austin’s Fusebox Festival 2020 (April 15-19), the results can sometimes expand artistic boundaries.