I meet Natasha Bowdoin for breakfast tacos a few days after the opening of her installation Sideways to the Sun at the Moody Center for the Arts at Rice University (on view through May 18).
Up-cycled dresses on mannequins, paintings of deconstructed tracksuits, and massive lengths of cloth made with consumer technology fill the upstairs of the Contemporary Arts Museum Houston.
When I walk into Audrya Flores’s home studio in San Antonio, I find a wood-paneled room, with a carefully curated selection of objects—needlework, prints, collages, fabric pieces—paired with found things—a turtle shell, stones, a preserved bat, potted plants.
The donated collection includes over 500 photographs, 75 of which will be on view Feb. 22 – May 12 in Capturing the Moment: Photographs from the Marie Brenner and Ernest Pomerantz Collection at SAMA alongside key works from the Museum’s existing photography collection.
This is French Room Salon and Culture Jack, two distinctly different series of art events, both gifted to Dallas towards the end of 2018. Although varied in format and feel, both series bring people together in close proximity, where they are subject to new art and ideas on a monthly basis.
I visited ceramicist Angel Oloshove at her studio in the Houston Heights to talk about her process, what’s on the horizon, and how she got to where she is.
The 2013 Hunting Art Prize winner describes the entire universe of a body or an object with subtle tones and pencil marks on translucent Mylar—a surface so delicate that one swipe of his hand could smudge it irreparably. In this way it is reminiscent of Buddhist sand mandalas, an effort of time and “intense study,” as the artist puts it.
At the MFAH’s Houston Iranian Film Festival, now in its 26th year, the seats are always full. The festival, established by the MFAH and Rice Cinema, runs Jan. 18-26, with screenings at both venues and at Asia Society Texas Center.
In five sections, Contesting Modernity surveys twenty years of work in Venezuela by numerous artists, some of whom a Houston audience will already know from curator Mari Carmen Ramírez’s extensive catalog of groundbreaking, research-driven exhibitions at the MFAH.