The story of Nicolas Moufarrege is a sad one. Lost to the AIDS crisis in New York City at the age of 36, the artist had only been in practice for a decade and undoubtedly had much left to produce. Curated by Dean Daderko and on view at the Contemporary Arts Museum Houston through Feb. 17, 2019, Nicolas Moufarrege: Recognize My Sign is the first solo museum exhibition for Moufarrege.
Fingers hover over lips and breasts, hair cascades over and around faces, kisses are blown and shared, pleasure is given and received: Ghada Amer’s ceramic sculptures shiver with ecstatic encounter.
On view through Jan. 27, The Condition of Being Here at the newly-inaugurated Menil Drawing Institute (MDI) in Houston includes a selection of Jasper Johns’s drawings dating from 1954 to 2016, many of which get at the fragility of the body and its musings.
Even though Katie Stahl enjoyed painting when she was growing up, she earned her college degree in psychology. Later, a friend’s suggestion led her to visit Creativity Explored, a San Francisco art center with a special mission: helping people with developmental disabilities become working artists.
At Dallas’s Nasher Sculpture Center through Jan. 6, The Nature of Arp considers Jean (Hans) Arp’s diverse production through his processes, linking them to the processes of the natural world.
Being a sister is complicated.
In 1961, the year Ida O’Keeffe died, her sister wrote, “In some odd way, it is a wasted life.”
That sister, Georgia, would be the one the world remembered.
Stockholder titled the Davidson exhibition U and Eye (through March 3, 2019), taking the title from one of his prints, but with a nod to both artists' interests in relationships.
Millennia before mapping the universe became the purview of the scientist, the first artists scratched marks, lines and shapes onto cave walls, perhaps to make some sense of the world around them through pictorial representation.