In 1913, Agnes Ernst Meyer, the wife of financier Eugene Meyer, Jr., and pregnant with her second child, was out of sorts and unable to make her rounds to the art galleries, where, as a former New York Post reporter on the art beat, she had been dubbed “the Sun Girl” by photographer-gallerists Alfred Stieglitz and Edward Steichen. Writing to Stieglitz, a brooding Meyer quipped, “I am now your Eclipsed Sun-girl.”
Extraordinary examples of handmade stone tools, some of the first aesthetically-conceived objects known to humankind, will be included in the exhibition First Sculpture: Handaxe to Figure Stone which opens Jan. 27 at the Nasher Sculpture Center.
“I was like a waiter at a wedding,” Michael Golden laughs, recounting the process of creating some seventy new collages to be exhibited at the Galveston Art Center.
In her description of her artist/partner, Megan Harrison says Jimmy James Canales is “kinda like a cat. He brings in a dead bird from the yard, and I’m like ‘I can do something with that.’”
Lawndale Art Center’s exhibition Between Love and Madness: Mexican Comic Art from the 1970s, on view Jan. 18-March 25, is comprised of approximately 380 works
An adobe brick archway made by artists Rafa Esparza and Beatriz Cortez reorients and frames the entrance of Ballroom Marfa for the exhibition Tierra. Sangre. Oro., on view through March 18.
In Everything Turns Away Quite Leisurely, on view upstairs at the Blaffer Art Museum through Jan. 27, Gabriel Martinez intervenes in or trespasses onto urban space and the rhetorical and material organizations, constructions, signs and strategies of significations which seek to make sense of and discipline the bodies and materials dispersed there.