This fall, art loving Texans have the perfect opportunity to venture outside of museum walls and into the great outdoors by visiting the state’s sculpture gardens.
Six paintings by as many artists comprise Abstract Texas: Midcentury Modern Painting, which remains on view through Oct. 7, 2017 at the Amon Carter Museum of American Art.
The ghost of 19th-century French Neoclassical artist Jean-Auguste-Dominique Ingres casts a long shadow over the Museum District these days, with both his greatest heirs basking in surveys curated by world-renowned experts.
Monet: The Early Years at the Kimbell Art Museum kicks off with a startling contrast between Claude Monet’s earliest exhibited work—View Near Rouelles, a crisp, placid, highly finished 1858 landscape—and Farmyard in Normandy (1863), which is striking for what exhibition curator George T. M. Shackelford notes is “a surface that, in its final form, appears to be still in progress.”
Degas: A New Vision will end its only U.S. presentation at the Museum of Fine Arts, Houston on Jan. 16, meaning its departure will roughly coincide with the fifth anniversary of director Gary Tinterow’s arrival from New York’s Metropolitan Museum of Art, where he spent the bulk of an impressive curatorial career.
When we meet for coffee, Harold Mendez has just returned to Houston from the Rauschenberg Residency at Captiva Island (FL) via Chicago, where he opened a solo exhibition at Patron Gallery.
A hand, a conch shell, a pair of lips, a valentine heart: Rendered in pastels and lined up along the gallery wall, they possess an eerie mix of starkness and sensuality.
Since 2003, Big Medium’s East Austin Studio Tour (or EAST for shorthand), Nov. 12-13 & 19-20, has offered Austin artists the chance to open their doors to the public.