Stanton Welch’s new ballet “Tapestry” made for one gorgeous vehicle to show off his current crop of ballet athletes. Launching with an expansive solo by Houston Ballet’s newest principal, Joseph Walsh, “Tapestry” [...]
I dare you to bring your Mom to this play, which features more orgasms than I’ve ever seen on stage in a long history of theatergoing. True to its subtitle, “The Vibrator Play” aims to shock and titillate, but Ruhl is too smart [...]
Within the first five minutes of Mildred’s Umbrella Theatre Company’s recent production “Dead Man’s Cell Phone” you understand that the place you are about to encounter is not your own. This is a bizarro parallel to the world you know [...]
“I’m interested in politics, the idea of connecting to the earth — as in artist Ana Mendieta’s ‘Silueta’ series,” says Divya Murthy, curator of “It’s a Phase,” an exhibition of on-site artist projects at Russ Pitman Park [...]
The Dallas Art Fair (DAF) makes two unspoken promises that, prima facie, seem at odds — untenable in the coupling of the radically new and the easily recognizable. The DAF proposes to be the most hip, happening [...]
The celebrated American Ballet Theatre principal Angel Corella is one of the world’s greatest ballet dancers. His passion is now evident in his company, Corella Ballet, making its Houston debut, presented by Society for Performing Arts [...]
Anthony Brandt thinks Houston is a composer’s city. Brandt, a professor of composition at Rice University’s Shepherd School of Music and Artistic Director of Musiqa, a collective of five composers, knows what he is talking about. [...]
John Johnson, known throughout Houston’s tight-knit stage community as “JJ,” is happy enough sharing the official motto of the troupe he founded, for which (as with his name) Classical Theatre Company [...]
Over 35 years and 1000 square feet of black pigment fill the contemporary galleries of Houston’s Menil Collection. Organized by Me-nil curators Bernice Rose and Michelle White, “Richard Serra [...]
Liliana Porter is a gatekeeper of emotional capacity, whose artwork is heavily informed by the psychological perception of objects in the physical world — which is to say that it relies on our [...]