A Collision of Thoughts
Born and bred in New York City, artist Glenn Ligon infuses the sumptuous surfaces of his paintings with the iconoclasm of a smart, young, super intelligent malcontent. Though he works across media with great agility [...]
Editor’s Remarks: March 2012
March is coming in a like a lion alright, buy and from Russia, viagra with the opening of...
Review: Cinderella
You know right away you are in fresh take on a classic fairy tale when you find out that Cinderella’s mother leads a group of zomberinas. Stanton Welch’s “Cinderella” is a triumph on several levels. From the first few notes of [...]
Review: “Dinner With Friends”
The company’s latest production, Donald Margulies’ 2000 Pulitzer-winning drama “Dinner With Friends,” marks the inaugural show of the new Studio 101 collective theater space [...]
Review: “A Separation”
“A Separation,” Asghar Farhadi’s latest moral drama, is a painful, compassionate, and powerful film. Farhadi dissolves the traditional notions of good and evil, and dives into the complicated and messy subjectivity of truth and morality [...]
Review: Gallim Dance
Lush, fierce dancing punctuated with thrilling bouts of kinetic wit characterized Gallim Dance’s performance as the highlight event of the Jewish Community Center’s annual winter festival known as Dance Month [...]
Review: River Oaks Chamber Orchestra
It is a rare occasion when Houston music lovers have the opportunity to enjoy a world premiere on an orchestral program. However, with its most recent concert featuring a brand new work by Paul English, the River Oaks [...]
Review: “The Coast of Utopia: Part 2, Shipwreck”
Tom Stoppard’s “The Coast of Utopia” might be a harbinger of a new Theater of the Impractical. Three plays, topping out at a total of nine hours (give or take), “The Coast of Utopia” is a head-spinning swirl [...]
Review: “The Rape of Lucretia”
Houston Grand Opera capped off its multi-year Britten Cycle with “The Rape of Lucretia,” a thought-provoking tourde- force that showcased composer Benjamin Britten’s signature haunting style, brought to life by dynamic talents [...]
Review: Samuel Beckett’s “Endgame”
You have to hand it to the Catastrophic Theatre and director Jason Nodler. First they decide to tackle Samuel Beckett, one of the most unorthodox and absurdist writers of the 20th century. On top of this [...]
Review: Luminous
As the name suggests, “Luminous” is a show meant to shine light on, well, light. The seven contributing artists explore our often paradoxical associations with light — as an immaterial medium, a massless energy, a natural technology [...]
Review: Otabenga Jones “Fort HMAAC
“Fort HMAAC” is the latest offering from Houston-based collective Otabenga Jones. The inaugural exhibition marking the opening of the Houston Museum of African American Culture’s new space on Caroline Street [...]