Entering the lobby at Houston Ballet's Center for Dance for Project REACH on balmy Saturday night felt like going to a club where all of the city's A-lister dance folks had gathered for something big and important.
A captivating exhibition of over 150 prints drawn from the National Gallery of Art in Washington, D.C. has quietly opened at the Dallas Museum of Art as if it flew in under the radar.
An exhibition surrounding Polaroid photography has landed at the Amon Carter Museum in Fort Worth, and for many of us the subject is something from the not-so-distant past that comes with a heady dose of nostalgia.
Eyebrow-plucking as critique of conventional gender roles; wigs that mimic authenticity but question identity; porcelain mugs in service of social awareness: These are just a few of the recent artworks by Jennifer Ling Datchuk that provoke important, if not awkward, conversations.
“What the heck is a Rec Room?” was the question I set out to answer almost a year ago when I interviewed the performance art space co-owners and founders, Matt Hune and Stephanie Wittels Wachs
It could be argued that art is limitless. But is it borderless? This summer, Artpace embraces this question with two solo exhibitions of work by Sabine Senft and Doerte Weber, artists who are addressing global issues of migration and geopolitical borders.
I think of Houston as a creative Bento box, in the way that New York is a melting pot. Art people go to galleries and museums, music people go to the opera and symphony, and so on.