The arts communities of Dallas—like many art communities across the country—are prone to tribalism, which plays out across disciplines, geographies, ethnicities, career stages, education levels, politics, and incomes.
Since we (Nancy Wozny & Tarra Gaines) have an ongoing conversation on what defines an immersive performance, we decided to share some of our adventures and to make some of our endless road trip banter public.
For classically-trained string players, the traditional route to making a living as a professional musician is fairly narrow: win a job in a major orchestra, find a full-time teaching position, or gig like there is no tomorrow.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year
