The Tony Award-winning musical Memphis tells a rollicking story of the dawn of rock ’n’ roll in the segregated south that rejects black and white simplicity.
Since we (Nancy Wozny & Tarra Gaines) have an ongoing conversation on what defines an immersive performance, we decided to share some of our adventures and to make some of our endless road trip banter public.
For classically-trained string players, the traditional route to making a living as a professional musician is fairly narrow: win a job in a major orchestra, find a full-time teaching position, or gig like there is no tomorrow.
I Think We Meet Here, on view through Feb. 23 at UT Austin Visual Arts Center, is an exhibition of video-based work by Shana Hoehn, Yue Nakayama, and Felipe Steinberg, three artists from the Core Residency Program at the Glassell School of Art, Museum of Fine Arts Houston
In 1988, for the first time in Houston, the entire cycle of Beethoven string quartets was presented by the renowned Julliard String Quartet to launch Da Camera's inaugural season, six concerts at the one-year-old Wortham Center Cullen Theater.