It’s been way too long since I sat around the virtual table with our fabulous theater writers Lindsey Wilson and Tarra Gaines to chat about all things performing arts in Houston, Dallas and beyond.
Back in pre-pandemic 2020, B. Moore Dance company founder Bridget Moore signed on as choreographer for the Second Thought Theatre’s production of Lynn Nottage’s play Mlima's Tale.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
As soon as my sister and I got off the escalator at the George R. Brown Convention Center on our way to see the Houston Grand Opera's production of Norma, we were greeted with a gigantic sign— “The Show Will Go On—with the words, “HGO Resilience Theatre” written underneath.
The Ivy Leaguer tore up his career plan. For his first two years at Princeton University, Aryeh Nussbaum Cohen had majored in public policy, figuring he’d go to law school and work in public affairs. Then a summer project stirred his love for singing, which went all the way back to his childhood.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year