Texas contains multitudes when it comes to performing arts companies. Yet from the venerable city institutions to those one-then-done popup companies, many have similar origin stories.
when Visit Corpus Christi invited me to discover some seaside, or in this case, Gulf-side art during their monthly Downtown Art Walk celebration, I answered that siren call.
“He’s a wanderer by nature and upbringing,” describes Ann Dumas, consulting curator for the Museum of Fine Arts, Houston’s fall blockbuster exhibition, Gauguin in the World, on view Nov. 3, 2024-Feb. 16, 2025.
Theatre Under The Stars holds a unique place in the Houston theater landscape. Since its founding over 55 years ago, the company has become one of the largest Houston theater companies by both producing its own versions of classic and contemporary musicals but also presenting the latest Broadway shows on national tours.
Cowboy culture might be having a resurgence, but the image of the cowboy, the horse-ridding, 10 gallon hat-wearing spirit of rugged independence never leaves the zeitgeist for very long. Cowboy, at the Carter, sets out on its own western journey to explore the myriad of faces of the contemporary cowboy, yet it also asks if our new cowboy diversity is really all that different from the cowboys of the last two centuries.
Winners of National Book Awards, Pulitzer Prizes, Booker Prizes, MacArthur Fellows and even Oscar nominees are among the writers we expect every year when Houston’s foremost literary arts organization, Inprint, announces the lineup for their Margarett Root Brown Reading Series.
“Zero constraints” that’s how Performing Arts Houston executive director Meg Booth describes the programming possibilities when the organization puts together a season lineup like the recently announced 2024-2025 season.
Though they began their careers as artists independently, glass blowing brought them together and taught brothers Einar and Jamex de la Torre how to collaborate.
While the 2023-2024 Broadway touring season still has big productions left for Texas cities, we’ve also entered our favorite time of year, season announcement season.
I’ve come to the Open Dance Project’s Houston-based studio to watch an early rehearsal of company artistic director and founder, Annie Arnoult’s latest creation Red Landscape: Georgia O'Keeffe in Texas 1912-1918, and the dancers have put me to work, the work of representing the audience that is.