The Houston Symphony will end its season with a splash: a two-weekend festival devoted to Richard Strauss, whose name is practically synonymous with sonic spectacle.
Julie Kent and Stanton Welch haven’t reached the point of finishing one another’s sentences. Nevertheless, just a few months after Kent joined Welch at the helm of Houston Ballet, they show clear signs of being in sync.
As the largest wildfire in Texas history raged across the Panhandle in March of this year, Loop38, the Houston-based new music ensemble, was set to begin a multi-day residency at Stephen F. Austin State University (SFA) centered on the premiere of composer Ben Morris’s multimedia work Longleaf.
In the United States, the Alley Theatre is the last theater standing with a year-round, full-time, salaried resident acting company and that makes all the difference when building a new season.
Rec Room Art’s Artistic Director Matt Hune says that building a theater season is like creating an album: each play makes up a story that flows through the year.
The Bishop Arts neighborhood of Dallas has enjoyed a surge in popularity these past few years, but many of its diners, drinkers, and shoppers probably aren’t aware that just a mile away sits the area’s namesake theater company.
The Dallas Opera will treat its audiences next season to two of opera’s all-time favorites, but the real news belongs to the season’s other two slots: They’ll hold a pair of landmark works the company has never staged.