For 75 years, the Contemporary Art Museum Houston (CAMH) has sought to engage its community in a dialogue that stems from its inaugural exhibition: This Is Contemporary Art (1948).
“Warning: You’re going to hear me say ‘I’m really excited about this’ a lot.” This is one of the first things Hector Garcia says during our interview about the Elevator Project’s 2024 season, and it’s not an understatement.
In a time when regional theaters are reeling from post-pandemic shortages, losses, and even devastating closings, one Fort Worth theater seems remarkably immune (knock on wood).
The Bach Society Houston will offer this season’s audiences some of its namesake’s profoundest music. But even the iconic Bach doesn’t live by devoutness alone.
In 2013, at the Dallas Museum of Art, Leigh Arnold curated Robert Smithson in Texas, a first of its kind look at the famous land artist’s finished and unfinished works in the state.
The Greek artist Chryssa was an influential force on the New York art scene from the late 1950s to the early 1970s, but since that time, she has become deeply under-recognized, despite having created innovative work in light sculpture.
Houston’s Theatre Under The Stars also understands the allure of some tacky fun and plans to offer the ultimate holiday show alternative this season with the world premiere, The Ugly Xmas Sweater Musical.
Sometimes the drama of an artist’s life can overshadow the art itself. Case in point, Mexican Modernist painter Abraham Ángel, whose paintings are featured in almost every book or exhibition devoted to the period.