As soon as Dallas Theater Center (DTC) announced its 2018-19 season, my group text with Houston theater writers began buzzing with excitement over productions of The Wolves and Sweat.
“There are associations that come with the use of a sarape, especially now with recent political and economic border issues,” says Adrian Esparza, referring to the brightly colored, blanket-like shawls from Latin America that inform and compose much of his work as well as the constant issue of the Mexican-American border, in which Texas is often found at the center.
Thanks to his boundless optimism, the hero of Porgy and Bess is one of opera’s most lovable characters. Porgy needs all the hope he can summon, because he often contends with the weaknesses and errors of others--especially those of his beloved Bess.
Why does the Dallas Symphony mount its annual Soluna music-and-arts festival? Not because it wants to escape the proverbial same old thing. For an orchestra, “the ‘same old’ is fantastic,” president Kim Noltemy says. With Soluna, the group is thinking bigger.
He helped create an iconic group of operas, but to most of us, he exists as little more than a surname after a hyphen: Mozart-da Ponte. Yet without Lorenzo da Ponte’s librettos, we wouldn’t have Mozart’s The Marriage of Figaro, Don Giovanni or Così fan tutte.