The hot-button issue of casting has recently received a lot of ink as directors, actors, and audiences try to grapple with how to even out a traditionally imbalanced art form.
“Keep Austin weird,” the bumper-sticker admonition goes, but German filmmaker John Bock—the latest of many European artists to take a cinematic crack at Texas, has envisioned a weirder Austin in Dead + Juicy, an exhibition combining an “uncanny musical” with an installation of transformed versions of the film’s props and sets.
Growing up, jhon r. stronks was never in one place for long. Born in Fresno, his childhood was spent globetrotting to accommodate his stepfather’s occupation as an airline pilot.
Tony Brandt, co-founder and artistic director of Houston's leading new music ensemble Musiqa, knows exactly what has driven its success for the last 15 years, and he is eager to double down on it.
One shouldn’t read too much into serendipitous timing, but I can’t help noting that Rebel, Jester, Mystic, Poet: Contemporary Persians —The Mohammed Afkhami Collection, on view through Sept. 24 at the Museum of Fine Arts, Houston, is the fourth exhibition of post-revolutionary art the MFAH has mounted in 2017.