Houston Cinema Arts Festival, one of the few festivals in the US that focuses on films about the arts, takes over several Museum District venues from Nov. 9-13, with a streamlined program.
Every year a cluster of dance films make the Houston Cinema Arts Festival line-up, Nov. 9-13. This year they run the gamut, where dance and dancers are the central focus (Rebels on Pointe and No Maps on my Taps/About Tap), to films where dance is used sparingly, in a more poetic realm (Pendular).
Tommy Fitzpatrick’s current exhibition Crystal Cities, on view through Nov. 4, includes ten compelling, colorful, acrylic-on-canvas paintings of interlacing planar forms that command the main space of Holly Johnson Gallery.
Texas by the numbers invariably proves irresistible. So does the Texas Biennial, back in its sixth iteration after a hiatus, on view through Nov. 11 at 211 E Alpine Rd.
The animating conceit of Telepathic Improvisation, a film by Pauline Boudry / Renate Lorenz and the centerpiece of their first U.S. solo museum exhibition of the same title at the Contemporary Arts Museum Houston
Tea Ceremony is the newest body of work by the American artist Tom Sachs, who has brought his artist’s sensibility to bear on the traditional Japanese ritual, which he sees as a cultural phenomenon.
A timely and thoughtful exhibition featuring the work of eleven Guatemalan artists across an array of media examines the aftermath of a calamitous civil war that ostensibly ended 20 years ago.
“I’ve always liked to work from home,” says Richard Stout, the Beaumont-born painter, sculptor, and elder statesman of the Houston art world, as we sit in the Montrose-area studio he built 50 years ago behind his house.