The word is out: renowned American choreographer Trey McIntyre calls Texas his home once again. McIntyre cut his teeth as a dancer and a choreographer at Houston Ballet.
This year I unintentionally celebrated National Bird Day (Jan. 5) at an avant-garde jazz show. The newly-established Austin Cultural Exchange, together with local record label Astral Spirits and Brooklyn-based journal Sound American, presented Nate Wooley (Brooklyn) on trumpet and Ken Vandermark (Chicago) on clarinet and saxophone—in solo and duo sets that destroy common notions of what these instruments can do or the fullness of sound one or two horns can create.
Austin is a capital of printmaking with many different components. Using several venues to host a deluge of events, PrintAustin ties all the components together. The month-long festival from Jan. 13-Feb. 18 at venues including Gallery Shoal Creek, FlatBed Press, and La Pena Gallery, draws a diverse crowd of art snobs, artists, hipsters, and novices. It’s printmaking on a huge scale.
In Warsaw, Monika Sosnowska lives across the street from a forest that was once a Jewish cemetery. During the Second World War, Germans destroyed it to use headstones as material for construction work. Polish people quickly responded by planting trees. They eventually started a project to restore the cemetery, which continues to this day
Lee Nguyen from the City of Austin gave the latest work at ZACH Theatre a thumbs-up review. But it wasn’t exactly for the company’s latest drama, comedy or musical.
Since 2003, Big Medium’s East Austin Studio Tour (or EAST for shorthand), Nov. 12-13 & 19-20, has offered Austin artists the chance to open their doors to the public.
ARCOS Dance is known as an experimental platform for dance technology – a merging together of bodies in space and digital creation. It’s like a modern brand of philosophy, an embodiment of human history alongside a projection of its uncertain future.
Convention is not a part of Allison Orr’s vocabulary. The Forklift Danceworks artistic director has carved out a particular niche in the site-specific performance world of Texas—one that draws attention to the people and systems that keep our communities ticking, often without thanks or notice. This is Orr’s specialty: bringing the invisible to the forefront.
The Dance/USA conference was held in Austin this past June, a first for the capital and the organization’s second visit to Texas (Houston, 2009). For me, it was a chance to hobnob with my peers from all over the US, expand my arts toolbox with the broad spectrum of talks and workshops and to spend some much-needed quality time with the Austin Dance community.
The Austin non-profit, Co-Lab Projects, is an incubator for more than 100 artists who often rely on collaboration to make their work. For example, the painting duo Drew Liverman and Michael Ricioppo, who function as a unit called YOUNGSONS, had a show in May at Co-Lab’s pop-up location and created a large-scale outdoor mural. So it makes sense that when Co-Lab founders Chris Whiteburch and Austin Nelson decided four years ago to launch Art of the Brew, a beer + art collaboration, it was instantly one of their most popular endeavors. This year’s event takes place on Sept. 3.