Among the many changes to the inside of the midcentury visual and performing arts center at 1300 Gendy Street in Fort Worth is that management finally tore out the carpet, a final blow to the carpet lobby’s dominance in the Cultural District.
To help make the 65th-anniversary season special, the company is staging four operas that it hasn’t produced in more than a decade, Derrer says, and it will showcase each in a production that’s new to Dallas audiences.
The best parts of horror movies are always the early scenes, when a director can revel in the shadows and tease us with glimpses of the monster, allowing our brains to fill in the blanks.
The scene is the summer of 2020. The country is in the middle of the COVID-19 pandemic. Protestors are outraged by the murder of George Floyd and other Black men at the hands of the police.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
On view at The Modern Art Museum of Fort Worth May 15 through September 25 is Women Painting Women, a thematic exhibition of forty-six women artists who choose women as subject matter in their works.
After a shortened 2021-22 season, TITAS/Dance Unbound is roaring back for its first full, live season since the pandemic. That’s 10 companies, hailing from four countries, with five making their Texas debut.
Nothing says summer in Dallas quite like Shakespeare in the Park. For 50 years now, the Bard of Avon’s fans have been unfurling blankets, laying out picnics, and popping the corks on glistening bottles of chilled wine before enjoying an evening of iambic pentameter under the stars.
Cyrus shares aspects of his spirited path along sonic territories by creating sculptures, denim works, drawings, and sound, all of which are part of his upcoming solo exhibition at The Modern in Fort Worth, on view through June 26 as part of the museum’s ongoing Focus series.
The Dallas Symphony Orchestra has been fortunate. Except for recasting a few concert programs in January after a few cases of omicron cropped up among its musicians—who recovered—it has been able to operate “full go-ahead” this season as planned, executive director Kim Noltemy says.
During the first part of its 2021-22 season, TITAS/Dance Unbound treated Dallas audiences to U.S. and Texas premieres, reimagined cultural icons, exuberant Latin dance, and even pieces choreographed to the music of R&B legend D’Angelo.