“You can’t fly if you have never left the ground,” says Houston’s 4th Wall Theatre cofounder, Kim Tobin-Lehl, when thinking about taking artistic risks.
Six-year-old Jan Lucca’s facial expressions mirror the activity in front of him: Staring intently at the stage, his eyes widen at exciting moments. He clasps his hands together against his chest during the suspenseful ones. He swings his legs from the chair and his mom smiles from the seat next to him. It’s his first opera.
From Shakespeare to SciFi, actors often return to a beloved character to find new life in the role. Yet, very few of these revisits hold such a unique offstage story like acclaimed international film, television and stage actor Sasson Gabay.
Dallas’s Avant Chamber Ballet is taking the plunge: The seven-year-old company unveils its first staging of The Nutcracker, complete with a live orchestra, on Dec. 20.
“I’ve tried to make an intentional shift in the work in the past few years,” Marcelyn McNeil tells me, recently. When we talk, her exhibition of new paintings, Slow Eddy, is about to open at Conduit Gallery (Oct. 19-Nov. 23).
In the Heights, with music and lyrics by Lin-Manuel Miranda and book by Quiara Alegría Hudes, won four 2008 Tony Awards and has become the most recognizable Latinx musical.
What do Carrie Fisher, the Wicked Witch of the West, and a rabbit have in common? It’s not a trick question, but a sampling of the roles Shannon McGrann has played over her years onstage and in front of the camera.
When Seth Knopp plans out the Soundings new-music series for Dallas’ Nasher Sculpture Center, he likes to leave audiences free to spot resonances and parallels among each season’s concerts.
TITAS stands for Texas International Theatrical Arts Society, but not since the 1999-2000 season has the presenter put so many international acts on stage.