“I’ve tried to make an intentional shift in the work in the past few years,” Marcelyn McNeil tells me, recently. When we talk, her exhibition of new paintings, Slow Eddy, is about to open at Conduit Gallery (Oct. 19-Nov. 23).
In the Heights, with music and lyrics by Lin-Manuel Miranda and book by Quiara Alegría Hudes, won four 2008 Tony Awards and has become the most recognizable Latinx musical.
What do Carrie Fisher, the Wicked Witch of the West, and a rabbit have in common? It’s not a trick question, but a sampling of the roles Shannon McGrann has played over her years onstage and in front of the camera.
When Seth Knopp plans out the Soundings new-music series for Dallas’ Nasher Sculpture Center, he likes to leave audiences free to spot resonances and parallels among each season’s concerts.
TITAS stands for Texas International Theatrical Arts Society, but not since the 1999-2000 season has the presenter put so many international acts on stage.
Ever since she can remember, Emily Levin has loved putting stuff together: Crossword puzzles, planning vacations, hosting murder mystery parties—being an organizer is sort of her thing.
This fall, The Dallas Opera launches its fifth residency of the Linda and Mitch Hart Institute for Women Conductors Oct. 27-Nov. 9—designed to help female opera conductors take their careers to the next level.