“I came out of the womb and knew I wanted to be an artist. It’s all I know.” Growing up in Port Arthur, Texas, Evita Tezeno was surrounded by female relatives who were quilters and seamstresses.
The Bishop Arts neighborhood of Dallas has enjoyed a surge in popularity these past few years, but many of its diners, drinkers, and shoppers probably aren’t aware that just a mile away sits the area’s namesake theater company.
The Dallas Opera will treat its audiences next season to two of opera’s all-time favorites, but the real news belongs to the season’s other two slots: They’ll hold a pair of landmark works the company has never staged.
The exhibition title, Surrealism and Us, references the essay “1943: Surrealism and Us” by Suzanne Césaire (1915-1966), a Martinique writer, feminist, and anti-colonialist. Césaire believed that the concepts, aesthetics, and power of Surrealism could encourage self-determination and independence.
The DMA has been earnest and intentional in its efforts to acquire works by women and people of color over the past seven years and the current exhibition reflects that.
Long-time friends and former dancers for Dark Circles Contemporary Dance Emily Bernet and Taylor Rodman founded Bombshell Dance Project in Dallas in 2016.