We are back for our epic annual public chit chat, a tiny snapshot of the thousand dishy emails that fly across the inter tubes discussing what we just saw, missed, didn’t understand or flat out loved.
Leonardo Drew combines hundreds of intricate handmade objects to transform the first-floor gallery at the Amon Carter Museum of American Art in Fort Worth into a multi-dimensional environment.
Nobody can say whether Camille Saint-Saëns had an extramusical topic in mind when he cast his “Organ” Symphony as a journey from storms to blazing sunshine.
“Warning: You’re going to hear me say ‘I’m really excited about this’ a lot.” This is one of the first things Hector Garcia says during our interview about the Elevator Project’s 2024 season, and it’s not an understatement.
In a time when regional theaters are reeling from post-pandemic shortages, losses, and even devastating closings, one Fort Worth theater seems remarkably immune (knock on wood).
In 2013, at the Dallas Museum of Art, Leigh Arnold curated Robert Smithson in Texas, a first of its kind look at the famous land artist’s finished and unfinished works in the state.