Since its founding in 1982, TITAS has been all about bringing the best of the arts to North Texas. The 2020-21 season had been planned to expand upon this mission by featuring, for the first time ever, an all-American lineup of visiting dance companies—until the coronavirus happened.
Since its founding in 1982, TITAS has been all about bringing the best of the arts to North Texas. The 2020-21 season had been planned to expand upon this mission by featuring, for the first time ever, an all-American lineup of visiting dance companies—until the coronavirus happened.
Since 2014, Houston has been host to a citywide takeover. For one week in April, the city itself is activated as a site for art, creativity, social consciousness, and dialogue as the CounterCurrent festival and its artists spread throughout the inner loop to hold a series of provocative performances.
Artists grappling with the political has been the norm for thousands of years, but when art and social-political questioning merge at an interdisciplinary performance festival like Austin’s Fusebox Festival 2020 (April 15-19), the results can sometimes expand artistic boundaries.
In the midst of its celebratory 50th anniversary season comprised entirely of works created for the company by world-renowned choreographers, Houston Ballet presents Forged in Houston March 12-21.
I sat down with Director Olivia Chacón to discuss Austin’s burgeoning flamenco scene, the growth of the studio and the company’s next theatrical production.
2019 was a year of firsts for the University of St. Thomas (UST) in Houston and its Dance Program Chair Jennifer Mabus as the school’s inaugural cohort of dance majors stepped into the studio for the fall semester.