In traditional versions of Giselle, the worlds of the living and the dead are separated by an intermission, each confined to its own act. In Houston Ballet’s brand new version, at Wortham Theater Center by Artistic Director Stanton Welch, the worldly and the ethereal overlap to come full circle.
Jonah Bokaer folded space in two in one sweeping motion. OK, so maybe he used a super long piece of paper to do that. Not everything that moves in a Bokaer concert is human.
On a sunny May afternoon, I found myself spellbound, watching Houston Ballet principals Yuriko Kajiya and Connor Walsh rehearse the very first meeting between Giselle and Albrecht.
Bruce Wood Dance Project celebrates its sixth season with the Dallas premiere of Bruce Wood’s Anything Goes, along with world premieres by BWDP répétiteur/rehearsal director Joy Atkins Bollinger and NobleMotion co-artistic director Andy Noble, on June 17-18 at Dallas City Performance Hall.
I’ve been obsessed with Israeli contemporary dance since returning from International Exposure 2015 last December, and for good reason: Some of the best contemporary dance on the planet harks from the tiny seaside city of Tel Aviv.
“Don’t look at that. That’s not part of the tour,” is a phrase used by absolutely no museum docent ever, until Tymberly, the new Menil Collection docent, had me in her guiding clutches.
Charles O. Anderson is an associate professor of African Diaspora Dance Studies and the Head of the Dance Program at The University of Texas at Austin.
Jonah Bokaer, Daniel Arsham and Pharrell Williams open the Dallas Symphony Orchestra's Nancy A. Hasher and David J. Haemisegger Family Soluna International Music & Arts Festival with the world premiere of Rules of the Game, with choreography by Bokaer, visuals by Arshamand music by Williams, played live by the DSO and arranged by David Campbell, on May 17 at Winspear Opera House.