English Baroque composer Henry Purcell’s Dido and Aeneas, his only true opera, is an indisputable masterpiece and one of the most beloved operas in the repertoire.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
The Tobin Collection of Theatre Arts contains artifacts dating back centuries, and its exhibitions sometimes revel in that broad historical panorama. But The Great Stage of Texas, running through July 24 at San Antonio’s McNay Art Museum—the collection’s home—could hardly be more contemporary.
If the 2021-2022 theater season was about getting back on stage for many Texas performing arts companies, Theatre Under The Star’s 2022-2023 season might be best described as a season ready to take that big breath, then sing, dance and celebrate life renewed.
Society for the Performing Arts is now Performing Arts Houston, but Meg Booth, chief executive officer, makes it clear that their mission to bring the world of music, dance, theater as well as cultural speakers to the city is still fundamental to who they are after 50 years.
After a shortened 2021-22 season, TITAS/Dance Unbound is roaring back for its first full, live season since the pandemic. That’s 10 companies, hailing from four countries, with five making their Texas debut.
Damaris Ferrer describes a bridge as a portal and any path or structure that serves as a connector. The Crossings is her global project which uses a massive, red fabric with eight elastic waistbands for eight movers as a catalyst.
During the first part of its 2021-22 season, TITAS/Dance Unbound treated Dallas audiences to U.S. and Texas premieres, reimagined cultural icons, exuberant Latin dance, and even pieces choreographed to the music of R&B legend D’Angelo.
“This is our third year trying to do our 25th year,” says Houston’s unofficial dance ambassador Nancy Henderek, whose annual springtime Dance Salad Festival (for reasons you can probably guess) took an unexpected hiatus in 2020 and again in 2021.
“Sonic partnerships.” If we had to describe the return of Austin’s Fusebox Festival in 2022 after its pandemic interruption, a plethora of sound performances and projects emerging from very unique partnerships leads to such a description.
Despite the ongoing pandemic-related complications, Dallas-based company Bruce Wood Dance has continued to commission and premiere new works over the past months.