Photography, as with many aspects of Western culture, comes loaded with a eurocentric canon that shapes the everyday perspective and expectations of the field.
The Houston Symphony will be one of many orchestras that mark the 250th anniversary of Beethoven’s birth. But how many groups will also spend part of next season celebrating women who play the violin?
In the midst of its celebratory 50th anniversary season comprised entirely of works created for the company by world-renowned choreographers, Houston Ballet presents Forged in Houston March 12-21.
Somewhere near the end of the first act of Stages’ sweet and nostalgic production of the classic musical The Fantasticks when a happy ending tableau had arrived but an entire second act still remained to follow, I couldn’t stop thinking of that likely-apocryphal story about the cosmologist confronting a turtle infinity.
But now she is the recipient of a grant through the Houston Arts Alliance, and her impending exhibition will debut at the Old Jail Art Center on Feb. 22, before making its way to the Institute for Art and Olfaction in Los Angeles in May, finally landing at Rudolph Blume Fine Art/ Artscan Gallery in Houston in October.
When I visited artist Delita Martin at her Black Box Press Studio this past December, it became clear over the course of our conversation that her bold, multi-layered prints of “everyday” working-class black women emerge through a strikingly similar kind of spiritual traversal.
2019 was a year of firsts for the University of St. Thomas (UST) in Houston and its Dance Program Chair Jennifer Mabus as the school’s inaugural cohort of dance majors stepped into the studio for the fall semester.
Even after Marian Anderson won international acclaim as a singer, she felt the sting of racial discrimination. She fought back with unique weapons: her deep river of a contralto voice and her unshakably dignified bearing.
As the United States closed its skies on September 11, 2001, thousands of plane passengers found themselves in midair over the Atlantic with only one place to land—the airport near the small town of Gander, Newfoundland.