Houston is home to numerous chamber music ensembles that have thrived alongside each other, carving out their own niches with unique visions of how to present music and connect with audiences.
“I mean, I’m exhausted most of the time,” laughs Marlana Doyle, founder and executive/artistic director of Houston Contemporary Dance Company (HCDC), who is also president and CEO of the Institute of Contemporary Dance (ICD).
Thick black smoke clouds engulf the large canvas mural that dominates the entrance of artist Anna Mayer’s solo exhibition, Forms of Inheritance, on view through May 8 at the Houston Center for Contemporary Craft (HCCC).
Of all the best-laid plans of mice and women that went awry in 2020, one I regret missing was a conversation with Stages artistic director Kenn McLaughlin.
The Fort Worth Symphony will spotlight Antonín Dvořák’s melodious but unfamiliar Serenade in E major on Jan. 8-10. The same weekend, Dallas Symphony performances of Dmitri Shostakovich’s Chamber Symphony in A-flat--a supersized version of the composer’s Quartet No. 10--will show how intense a string ensemble can be. The Houston Symphony will partner with onetime prodigy, now mature artist Midori in Beethoven’s Violin Concerto on Jan. 15-17.
recently-unveiled Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston, and a way of contemplating the Kinder’s impact on the landscape of the museum campus, the city of Houston and even the international art world.