Day for Night, the music and art festival now entering its third year, has caused waves in the festival scene for its ability to mesh together art and music into an immersive experience.
Carleen Graham has a big job. One year after taking the helm as director of HGOco, Houston Grand Opera's community collaboration and education arm, Graham has found her groove.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year
Houston Cinema Arts Festival, one of the few festivals in the US that focuses on films about the arts, takes over several Museum District venues from Nov. 9-13, with a streamlined program.
Every year a cluster of dance films make the Houston Cinema Arts Festival line-up, Nov. 9-13. This year they run the gamut, where dance and dancers are the central focus (Rebels on Pointe and No Maps on my Taps/About Tap), to films where dance is used sparingly, in a more poetic realm (Pendular).
The animating conceit of Telepathic Improvisation, a film by Pauline Boudry / Renate Lorenz and the centerpiece of their first U.S. solo museum exhibition of the same title at the Contemporary Arts Museum Houston
Anyone who needs to be forced out of those “comfortable” preconceived notions of identity should see Genevieve Gaignard’s exhibition In Passing at the Houston Center for Photography, on view through Oct. 22.
The mucky brown waters had barely begun to recede when artist David McGee’s mother reminded him of the title of his upcoming exhibition at Houston’s Texas Gallery.