Houston audiences will get a rare glimpse into the Bayou City’s pre-boom, Jim Crow-era art scene when the exhibition Planned, Organized and Established: Houston Artist Cooperatives presents paintings and ephemera from two 1930s collectives—one white, one black.
Houston’s Horse Head Theatre company has a reputation for staging intriguing and occasional avant-garde contemporary plays in nontraditional and even bizarre venues, from the back porch of a bar to a geodesic event dome on the banks of Buffalo Bayou.
Da Camera has flourished because of the entrepreneurial spirit and open-mindedness of its hometown of Houston, as general director Sarah Rothenberg will readily tell you.
It's the first time Matthew Dirst, Founder and Artistic Director of Houston's leading early music ensemble Ars Lyrica, has programmed an entire season of music focusing on women.
In a year, a very small number of “jazz films” can or will be released — there’s just (unfortunately) not that many to be made. So, during Jazz on Film, a yearly festival curated by Peter Lucas, now in its fifth year, there are some repetitions from previous years.
The Contemporary Arts Museum Houston’s latest exhibition A Better Yesterday, on view May 20-Sept. 3, brings together work by Jack Early, JooYoung Choi, and Lily van der Stokker. Devon Britt-Darby caught up with director Bill Arning, who organized the show.
As printmaking shows fan out across Houston over the next few months, visitors to PrintHouston 2017—a multivenue array of exhibitions and events highlighting a range of traditional and experimental techniques—it’s worth remembering that fewer than eight years ago, the Bayou City’s printmaking scene left a lot to be desired.
Mid-career retrospectives have a way of messing with their subjects’ heads. When you’re used to always thinking about the next project, looking back on decades’ worth of work can produce as much anxiety as nostalgia.