San Antonio’s McNay Art Museum has been transformed into a haunted house for the Halloween season, as if a witch had cast her spell on the venerable San Antonio institution.
Shakespeare, politics, glam rock: these are not terms we often put together, if ever, yet this month, Austin’s Hidden Room theater company plans to merge the three into a rocking trio for a production of the Bard’s glorious history play Henry IV, through Oct. 1 at York Rite Masonic Hall.
When Jeffrey Schmidt began planning his first season as artistic director of Theatre Three, he considered opening with Andorra, Max Frisch’s highly charged political play about collective bigotry.
The hot-button issue of casting has recently received a lot of ink as directors, actors, and audiences try to grapple with how to even out a traditionally imbalanced art form.
“What the heck is a Rec Room?” was the question I set out to answer almost a year ago when I interviewed the performance art space co-owners and founders, Matt Hune and Stephanie Wittels Wachs
Houston’s Horse Head Theatre company has a reputation for staging intriguing and occasional avant-garde contemporary plays in nontraditional and even bizarre venues, from the back porch of a bar to a geodesic event dome on the banks of Buffalo Bayou.
“We always felt that this was a clubhouse for a group of friends who felt like we were a little bit off,” he said. “We still feel a little off and we still want to be that clubhouse, that space for people like us who feel a little off. We have to find another way to do that now.”