Next Chapter: Artist, Curator, and Educator Benito Huerta Retires
The artist has held roles as Professor and Curator at the University of Texas at Arlington for twenty-five years, and the occasion of our conversation is his retirement.
Visual Art
Afsaneh Aayani Manifests ‘Theater For All’
If you saw Innominate by Afsaneh Aayani at Catastrophic Theatre, you might think you know who Aayani is. You would be right and wrong at the same time.
Identities, Narratives, and Histories: CraftTexas 2022 at Houston Center for Contemporary Craft
How does craft tell stories differently than other visual arts media? I posed this question to Texas-raised, Los Angeles-based artist and curator Andres Payan Estrada, juror for CraftTexas 2022, the biennial juried exhibition presented by Houston Center for Contemporary Craft (HCCC), now in its 11th edition.
Between sacred and secular: Murillo at the Kimbell
Spanish Golden Age painter Bartolomé Esteban Murillo might be hailed as the leading religious painter of Seville during his lifetime, which spanned 1617–1682, but he wasn’t initially a favorite of former Louvre curator Guillaume Kientz.
On Fascination, Form, and Future: David-Jeremiah at HMAAC
Reference to these machines is a common thread across the majority of David-Jeremiah: Early Career Survey, on view at HMAAC through Sept. 10, 2022.
Ambiguous places of beauty and sadness: Nick Vaughan and Jake Margolin’s Wayfinding at the Blaffer
Ten years ago, multidisciplinary artists and life partners Nick Vaughan and Jake Margolin set out to trace a little-known bit of queer U.S history, an 1843 pleasure excursion by100 men from St Louis to the Wind River Range of Wyoming, likely the first example of North American gay eco/party tourism.
Fort Worth Arts Moves Forward
Among the many changes to the inside of the midcentury visual and performing arts center at 1300 Gendy Street in Fort Worth is that management finally tore out the carpet, a final blow to the carpet lobby’s dominance in the Cultural District.
Colette Copeland: My Jesse James Adventure at the Old Jail Art Center and Jody Klotz Fine Art
Driving alone through the middle of the country, spanning nine states and more than 4,000 miles, Dallas-based artist, cultural critic, and social activist Colette Copeland spent three summers visiting the numerous sites where Jesse James lived and outlawed, filming on location throughout her performative journey.
Show Up: Kelli Vance at Cris Worley
The best parts of horror movies are always the early scenes, when a director can revel in the shadows and tease us with glimpses of the monster, allowing our brains to fill in the blanks.
Acts of Resistance: Black Every Day at The Carter
The scene is the summer of 2020. The country is in the middle of the COVID-19 pandemic. Protestors are outraged by the murder of George Floyd and other Black men at the hands of the police.
Cultural Meeting Points: Amoako Boafo at the CAMH
Amoako Boafo: Soul of Black Folks was first exhibited at San Francisco’s moAD and has now traveled to the Contemporary Art Museum Houston, on view May 27 through Oct. 2.
Scaling Up: Landmarks Unveils a New Commission by Sarah Oppenheimer
The project Oppenheimer is referring to, which will be unveiled Sept. 15, is C-010106, commissioned by Landmarks, the public art program of the University of Texas at Austin.