The exhibition title, Surrealism and Us, references the essay “1943: Surrealism and Us” by Suzanne Césaire (1915-1966), a Martinique writer, feminist, and anti-colonialist. Césaire believed that the concepts, aesthetics, and power of Surrealism could encourage self-determination and independence.
As Houston’s Hobby Center for the Performing Arts celebrated its 20th anniversary in 2022, its board, staff and its new president and CEO Mark Folkes decided to get contemplative about their identity, especially when it comes to the “Center” in the name.
The DMA has been earnest and intentional in its efforts to acquire works by women and people of color over the past seven years and the current exhibition reflects that.
Multiplicity: Blackness in Contemporary American Collage, on view Feb. 18 through May 12 at the Museum of Fine Arts, Houston, is the first museum survey of Black collage artists.
Inspired by a gift from her grandson of one painting and four drawings, Janet Sobel’s early but short-lived career is now the subject of a compelling exhibition at the Menil Collection from Feb. 23 through Aug. 11.
Kehinde Wiley and Museum of Fine Arts, Houston Director Gary Tinterow first met in New York when Tinterow, then a curator at the Metropolitan Museum of Art, proposed the acquisition of Wiley’s The Veiled Christ, a large 2008 watercolor.
The McNay Art Museum in San Antonio is using the recent acquisition of two important print suites as impetus to explore the diverse visions of three contemporary Black artists: Radcliffe Bailey, Kara Walker and Derrick Adams.