Executive Director Louis Grachos flexes his vision for The Contemporary Austin with the high-profile sculpture exhibition A Secret Affair: Selections from the Furhman Family Collection.
In the latest example of the Nasher Sculpture Center’s foray into contemporary art, Mark Grotjahn Sculpture is the first museum exhibition to focus on a body of work in this discipline from an artist primarily known as an abstract painter.
Currently on view at BLUEorange Contemporary, Suga is the fifth exhibition in a cycle of collaborations between artists Rabéa Ballin, Ann Johnson, Delita Martin and Lovie Olivia.
The El Paso Museum of Art’s big summer show takes ice as its epic yet delicate subject matter. Though striking imagery and art historical context, Vanishing Ice: Alpine and Polar Landscapes in Art, 1775-2012 gives new meaning to the phrase “moving at a glacial pace.”
While beauty may be one attribute of a work of art, it is rare nowadays to see that word in a critical context. And yet, at the McNay Museum of Art, curator René Paul Barilleaux has organized a 13-person group exhibition around the topic.
Just when I thought Houston dance has experiencing a bit of a lull, in walks a gaggle of Search Optimizer workers, Deuce Ticklebeetle, Shelly Kelly, Roxi Wright, Gretchen Charise Kittridge, Gwenevieve Hues, and Alyssa Roberts, to Good Dog Houston to mess with our heads.
Horse Head Theatre Co., the Houston collective that comes out of hibernation once a year, is back again, this time with Abby Koenig's Spaghetti Code, a dark comedy about the trials of infertility, July 12-28 at PJ's Sports Bar.
As the season draws to a close in Houston (and occasionally elsewhere in Texas) and I'm already too focused on next season, it's a good time to reflect back on some standout performances.