In Heinrich Hoffmann’s 1845 children’s book Struwwelpeter, a little boy is warned by his mother to stop sucking his thumbs, lest they be cut off by a scissor-wielding, red-legged tailor.
When I saw that this year's Marfa Sounding focused on the great California-based legend and dance maker Anna Halprin, I knew that I had to make trek to Marfa for Memorial Day weekend.
Even if you’re never seen Pilobolus in concert before, you’re probably familiar with the acrobatic dance troupe’s work. After starring in a Ford commercial over a decade ago, in which the dancers’ silhouetted bodies became the car, the commercial opportunities kept coming: a high-flying performance at the 79th annual Academy Awards, appearances on Sesame Street, Oprah, Ellen, The Today Show, Late Night with Conan O’Brien and more.
Hannah Munitz's face lit up when I asked her about the Israeli Opera’s production of Onegin, which opens The Dallas Opera’s 2016/17season, Oct. 28-Nov. 6.
During an email exchange with Jessica Lang about her collaboration with architect Steven Holl for Tesseracts of Time, I realized that I could hear the sounds of construction of Holl’s new Glassell School, part of the new MFAH campus, from my desk as I was typing.
I’ve been obsessed with Israeli contemporary dance since returning from International Exposure 2015 last December, and for good reason: Some of the best contemporary dance on the planet harks from the tiny seaside city of Tel Aviv.
Jonah Bokaer, Daniel Arsham and Pharrell Williams open the Dallas Symphony Orchestra's Nancy A. Hasher and David J. Haemisegger Family Soluna International Music & Arts Festival with the world premiere of Rules of the Game, with choreography by Bokaer, visuals by Arshamand music by Williams, played live by the DSO and arranged by David Campbell, on May 17 at Winspear Opera House.