In February 2007, a group of 13 Dallas galleries came together to form Contemporary Art Dealers of Dallas, or CADD, with the goal of promoting the advancement of contemporary art in the Dallas cultural community.
Ruben Carrazana has never made a movie before. Yet when he takes the stage at the Texas Theater one hot night in early May, it’s to introduce the first 37 minutes of his film Stacy Has a Thing For Black Guys.
Serendipity often plays a large role in life; it can in the art world, too. Laura Owens’s mid-career survey Laura Owens, is on view at the Dallas Museum of Art through July 29, after a run at the Whitney Museum.
In Heinrich Hoffmann’s 1845 children’s book Struwwelpeter, a little boy is warned by his mother to stop sucking his thumbs, lest they be cut off by a scissor-wielding, red-legged tailor.
Brooklyn-based artist Graham Caldwell’s exhibition Glimpsed Through Liquid, his first at Circuit12 Contemporary in Dallas’ design district, fills the space with serial glass sculptures, spanning nearly two decades.
Dallas dance-lovers are proud that a dance-centric presenter like TITAS Presents exists in their city—and they should be. Executive Director Charles Santos is famous for his eye for up-and-coming troupes, as well as showcasing international groups.
Exploring the aesthetics of self-destruction, Lionel Maunz uses cast iron, concrete, and steel to create dystopian figurative sculptures—surprisingly organic forms that appear distorted by dismemberment and decay.