It’s been way too long since I sat around the virtual table with our fabulous theater writers Lindsey Wilson and Tarra Gaines to chat about all things performing arts in Houston, Dallas and beyond.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
The Tobin Collection of Theatre Arts contains artifacts dating back centuries, and its exhibitions sometimes revel in that broad historical panorama. But The Great Stage of Texas, running through July 24 at San Antonio’s McNay Art Museum—the collection’s home—could hardly be more contemporary.
ROCO is everywhere. In its 18th season, this industry-changing chamber orchestra from Houston has reached well beyond the walls of the traditional concert space, laying down a vibrant and diverse soundtrack for an entire city.
After a shortened 2021-22 season, TITAS/Dance Unbound is roaring back for its first full, live season since the pandemic. That’s 10 companies, hailing from four countries, with five making their Texas debut.
During the first part of its 2021-22 season, TITAS/Dance Unbound treated Dallas audiences to U.S. and Texas premieres, reimagined cultural icons, exuberant Latin dance, and even pieces choreographed to the music of R&B legend D’Angelo.
Even once the show goes on, the director’s work is still not done. This has become especially true for the Tony winning director of Hadestown, Rachel Chavkin.
We’re still holding our breath, knocking on a forest full of wood and sacrificing chicken-shaped tofu to Dionysius, but it looks like in-person, inside-an-actual-theater, theater will finally take the stage this fall.
Brett Ishida, a California transplant to Austin, is bringing her new Austin-based contemporary dance company ISHIDA to the stage for the company’s first evening-length production since the pandemic began.
The dance company Pilobolus has many missions: to tell stories with the human form, to test the limits of human physicality, to explore the beauty and power of connected bodies.
El Paso-based artist Haydee Alonso was working as a manager in a gallery during March of 2020 when the COVID-19 pandemic forced the space to close for an undetermined amount of time.