In the midst of its fifth season, Dallas' Bruce Wood Dance Project is about to premiere two new works and revive a decade-old piece by its namesake choreographer.
In Texas, as in most other regions, funds for contemporary dance are spread thinly, even across companies considered to be the toast of the state’s dance scene.
When Nathaniel Donnett was wheeled in laying inside a coffin at the CAMH for his artist talk, In Memory of... as part of his installation, Nothing to See Hear in Right Here, Right Now: Houston, I wondered how the talking part was going to pan out.