When a writer pitched a story about an actor leaving Texas I immediately said, “No thanks, I need to focus on those staying.” Although, now I can't help wondering what would have been in that exit interview.
As the nation’s fourth largest city, Houston is home to more than 2.1 million people (over 5 million in the metro area). The city’s Latina/o residents comprise roughly 41 percent of the population. As I have detailed before (See: “Excluding Latina/o Stories in Tejas”), Houston’s arts scene has seen a major boom in capital projects, funding, and national exposure.
A large dead dog lies motionless on stage, a garden fork skewered into it’s side. That’s the sight theatergoers see immediately upon taking their seats to witness the first national tour of the wonderfully strange and heartfelt The Curious Incident of the Dog in the Night-Time, now playing at the AT&T Performing Arts Center in Dallas—through Jan 22—before moving south to Houston's Hobby Center Jan. 24-29.
You may be hard-pressed to explain what ZZ Top, Eva Longoria, Willie Nelson and Walter Cronkite have in common, but for the Texas Cultural Trust, the answer is simple: Texas.
Amy Diane Morrow, a Fort Worth native, returned to Texas after a long series of travels – most notably an extended stint in Tel Aviv, Israel, to train in Gaga under Ohad Naharin, artistic director of the Batsheva Dance Company.