In the Heights, with music and lyrics by Lin-Manuel Miranda and book by Quiara Alegría Hudes, won four 2008 Tony Awards and has become the most recognizable Latinx musical.
Since its founding in 1998, the National New Play Network has produced 85 rolling world premieres. Dallas’s Kitchen Dog Theater, formed in 1990, is one of NNPN’s founding core theaters, and hosts the longest-running new play festival in Texas.
When Blake Hackler handed over his newest play, What We Were, to Second Thought Theatre artistic director Alex Organ, he wasn’t expecting an offer to produce it.
As soon as Dallas Theater Center (DTC) announced its 2018-19 season, my group text with Houston theater writers began buzzing with excitement over productions of The Wolves and Sweat.
Why does the Dallas Symphony mount its annual Soluna music-and-arts festival? Not because it wants to escape the proverbial same old thing. For an orchestra, “the ‘same old’ is fantastic,” president Kim Noltemy says. With Soluna, the group is thinking bigger.
At the beginning of 2019, Dallas Theater Center announced Jonathan Norton as its new playwright in residence, but the history between the two actually goes back much farther:
When Tony®-Award-nominated director and choreographer Dan Knechtges took the helm of one of Houston’s oldest and largest theater companies, Theatre Under the Stars, he knew the artistic director title might require steering the organization through some stormy times, but he likely wasn’t ready for a real hurricane.
In a newly rehabbed, 75-seat black box theater, tucked behind Peticolas Brewing Company in the Dallas Design District, two men are pretending to tour a home.