In a newly rehabbed, 75-seat black box theater, tucked behind Peticolas Brewing Company in the Dallas Design District, two men are pretending to tour a home.
For the past 20 years, the National New Play Network has connected nonprofit theaters across the U.S. through the cultural importance of new plays and living playwrights.
It’s the first day of rehearsals for Electra (April 4-May 2), and Dallas Theater Center artistic director Kevin Moriarty is having trouble trading in Shakespeare for Sophocles.
What is theater that doesn’t reflect contemporary realities? What kind of life can theatrical storytelling have if it doesn’t exist within the world it’s born into?
Experimental plays and intimate dramas set in homes typically belong in black box theaters. The nuance and detail of these productions cannot be captured in larger theaters.
Productions of the A Christmas Carol have decorated the stages of local theaters for decades. Dallas is no exception, with the Dallas Theater Center now presenting their 38th production of the tale through Dec. 28 at the Wyly Theatre.
In Dallas, a generation of young playwrights is beginning to flex dramatic muscle in pursuit of social change, pushing their work past the impulse to create art for art’s sake.
At this time of year, Dallas' Bishop Arts Theatre Center hosts a new playwright competition, with short one-acts from mostly local writers filling the stage.