houston ballet

Stanton Welch’s links to Raymonda reach back to before he was even born.

A Jerome Robbins gem gets top billing in the advertising. But each work in Houston Ballet’s “In the Night” program opens a window into the company and its history.

Dance artists are shaped by the work they dance, and the relationship between the dancer and the dance-maker is extremely potent when it comes to what we see on stage.

Julie Kent and Stanton Welch haven’t reached the point of finishing one another’s sentences. Nevertheless, just a few months after Kent joined Welch at the helm of Houston Ballet, they show clear signs of being in sync.

Stanton Welch has provided visionary leadership for Houston Ballet since picking up its creative torch in 2003.

For choreographer Annabelle Lopez Ochoa, poetry and ballet share a similar terrain.

Think about classical ballet’s signature repertoire—The Nutcracker, Swan Lake, Sleeping Beauty, Giselle, Cinderella. Each of these canonic story ballets is drawn from a European folk tale or story, and set to music by a European composer. Is it time to ask, “what other stories can ballets tell?”

The second part of Houston Ballet’s 2021-2022 season features productions that reflect the wide-ranging talents and skills of the company’s dancers.

Houston Ballet will return to the Wortham Theater Center this September for their 2021-2022 season.

On March 10, Houston Ballet will launch the first in a series of short dance films by Artistic Director Stanton Welch.

In the midst of its celebratory 50th anniversary season comprised entirely of works created for the company by world-renowned choreographers, Houston Ballet presents Forged in Houston March 12-21.

A 50th anniversary deserves a celebration. But what kind? Houston Ballet’s leaders looked back across the company’s history, starting before the 1969 debut of the company as we know it today.