“You’ve just got to keep moving,” says Theatre Under The Stars artistic director, Dan Knechtges, when I asked him what lessons he’s learned about programming the company through several years of theater under crisis.
A blue day dawns at the Museum of Fine Arts, Houston. Such was my first thought stepping into the welcoming light and waves of blue in the Art of the Islamic Worlds Galleries.
Houstonians have experienced the magic of Miller Outdoor Theatre for 100 years now. What is it about this place that tugs on the heart strings, and turns shared moments into lasting memories?
So, the Houston artist and Rice University printmaking professor, known for her collages, text-based work and prints and interest in gender roles, seized on her anger and a sense of purpose.
Launched in 1993 as a showcase for a single performer, it has evolved into an annual contest that offers $40,000 in prize money to aspiring musicians aged 18 to 32.
It’s the start of my whirlwind tour of the Dallas Arts District. Improbably, in all the years I have lived in Houston (23) and all the time I have been an arts writer in Texas (5), I had never been to Dallas. I am here now as a first time arts tourist, eager to absorb the wonders of a new place, open to every experience that might come my way.
PART TWO: Think about classical ballet’s signature repertoire—The Nutcracker, Swan Lake, Sleeping Beauty, Giselle, Cinderella. Each of these canonic story ballets is drawn from a European folk tale or story, and set to music by a European composer. Is it time to ask, “what other stories can ballets tell?”
A longed-for royal baby, a series of blessings and curses from a good-to-evil spectrum of fairies, a bit of a prick, a bead of blood then a century of sleep until a spell-breaking kiss brings the great awakening, happily ever after.