“Where are you going?” asked Dallas’s favorite classical DJ Amy Bishop, as I was heading straight into Meyerson Symphony Center, which would have been great had I been planning to go see Jaap van Zweden in one of his final concerts.
“You are going to love this program,” Eduardo Vilaro told me as we shared a glass of wine last summer while his troupe, Ballet Hispanico was gracing the Jacob's Pillow Stage.
It’s a Tuesday night at Buzzbrews Kitchen in Dallas’ Uptown neighborhood, where tattooed waitresses with Bettie Page-inspired hairstyles are ferrying plates of hot pancakes and bacon to their tables.
The artist, Josiah McElheny, working with cosmologist David Weinberg, creates a gallery-sized installation, consisting of five hanging chromed-metal, transparent hand-blown glass and light sculptures.
KINETIC, the conductorless ensemble directed by Natalie Lin, closes its third season with Musical Madness on May 6 at the MATCH with a program that includes works by Mozart, Carlo Gesualdo, Erkki-Sven Tuur, Osvaldo Golijov, Beethoven and the ensemble’s own Giancarlo Latta. Lin visited with A + C editor Nancy Wozny on all things KINETIC and this season’s big accomplishments.